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Posted by: OREN GRAD
Follow-Up by Mike J.: Ach, this is one of those that hurts. I found What the Traveller Saw in a used bookshop in Washington in the early '90s and felt, at the time, that I had made a great discovery, as though the book weren't a published work of art and manufacture but a wild resource I had discovered singlehandedly. I claimed it for myself like Aguirre planting a flag in a South American mountaintop. For a time, whenever somebody asked me the inevitable question "what kind of photographer are you?", I would answer by saying "I want to be Eric Newby." Which would have served indefinitely, if anyone in the art world—even the art-photography world—had ever heard of Eric Newby.
The life of a travel writer is interesting in that it implies a prioritizing: travel first, writing second. (It might not actually be that way, of course.) With Newby, there was a distinct added clause: third, snappin' pics. But don't be fooled. Despite his "humble Pentax" and 50mm lens, he was a talented and committed photographer with a clean, honest way of looking at things (he tells a funny and slyly competitive story in What the Traveller Saw of getting a particular shot while a famous Kodachrome-and-Leica-weilding Magnum pro he was travelling with blew his exposure settings and missed the shot altogether). Not flashy, but organic in a way that a lot of photographers will never match. His work is plain in a good way.
I think the thing I like best about What the Traveller Saw is that it both proposes and answers—well, answers one way, anyway—the question "what do you do with photography?" Newby answered with aplomb, humor, modesty, and, always, surpassing good grace. I never knew the guy, so I can't say "he will be missed." I just know his books, which I'll continue to treasure and enjoy.
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